We recently acquired this gorgeous chest of drawers designed by Eliel Saarinen and Eva Lisa Saarinen Swanson, which inspired me to dig a little deeper into the Saarinen family.
1940's Chest of Drawers by Eliel and Pipsan Saarinen - available now at deja vu Long Beach
Most of you already know who Eero Saarinen is. If you don't, you've undoubtedly come into contact with his designs, or a knock off version – one of the biggest examples of his work, the Arch in St. Louis. Yeah, he's kind of a big deal.

But did you know that he came from a family of artists?
Considering his creative feats it shouldn't shock you to find out that his sister was a furniture and interior designer, his mother a sculpture, weaver and textile designer, and his father an architect and painter; and that Eero shared an architectural practice with his father and brother in law.
Do you know why he designed the famous pedestal base for his Tulip Collection?
Or how the 'Womb Chair' came to be?
Read on for a quick overview of the talented family that inspired a design legend.
Pipsan, Loja, Eero, Eliel and Juho Saarinen (Eliel's father)
Although Eero may be the most well known of the Saarinen's, his father, Eliel, achieved fame for his Art Nouveau buildings in the early 20th century. His first work was a blend of Finnish wooden architecture, British Gothic Revival and Jugenstil and was later christened the Finnish National Romanticism. It was with this style Eliel won the design competition for the Helsinki Central Railway System in 1904. However, demands for modern architecture arose and Eliel completely abandoned the romantic style for a more rational take, completing new plans by 1909. The station was built by 1919 and has since had various renovations. In 2000, a glass roof was added to the station, which was in the original plans by Eliel, yet they were done with a new design.
Helsinki Railway Station - photo by Jorge Lascar in 2008
In 1904 Eliel married his second wife, Finnish sculpture Louise (Loja) Gesellius. Together they had two children, Eva Lisa (also known as Pipsan) and Eero. The Saarinen family moved to Illinois in 1923 when Eliel contributed to a design competition to build the tribune tower. He lost, coming in a short second, yet years later the plans came to fruition in Houston, Texas for the Gulf Building.
In 1925 George Gough Booth, major newspaper tycoon and art philanthropist, asked Eliel to design the campus of Cranbrook Educational Community. This led to the creation of Cranbrook Academy of Art in 1932 and was initially run by Eliel. Booth intended the school to be an American equivalent of the Bauhaus, with teachings focused on design practices and theories from various styles. Loja became the director of weaving and textile, while Eva Lisa taught the first official contemporary furniture design class and student Eero took sculpture and furniture classes. It was while here at Cranbrook that Eero gained friends, some that led to revolutionary collaborations, with the likes of Ray Eames (then Ray Kaiser) and Charles Eames, Florence Knoll (then Schust) and Harry Bertoia.
Eliel and Loja dressing the part for "Crandemonium" held at Cranbrook - courtesy Cranbrook Archives
Florence Knoll and Eero Saarinen with Tulip prototype
The Saarinen's lived and breathed art and it's evident that creativity was part of their daily life. Eliel was know to have costume parties, while years later, Eero would encourage guests to wear funny hats. While Eero didn't have his own school to teach his children, he found unique ways to inspire creative thinking with fictional mysteries that the kids were to solve, some lasting for days.
His sense of humor can also be seen in his designs. When Florence Knoll expressed her desire for a chair she could curl up in, he created the “womb chair”, a padded cocoon like structure to ensure comfort. He went on to say “its unofficial name is the Womb chair because it was designed on the theory that a great number of people have never really felt comfortable and secure since they left the womb.” His tongue-in-cheek attitude is also evident in his creation of the iconic tulip series, with the intention to “clear up the slum of legs in the U.S. Home”.
The Tulip Series (left) and the Womb Chair
While Eero was designing for Knoll, Eva Lisa went on to design interiors for many of her father's commissions. She married architect Robert Swanson and opened an interior design department in his firm. She designed custom furniture for clients and eventually sold a line to Johnson Furniture Co, called F.H.A. (flexible home arrangement).
1950's Lounge Chair by Pipsan for the 'Sol Air' Line
Eero went on to share an archtectural practice with his father in the mid 1930's, called Saarinen, Swanson and Associates. It was headed by Eliel and Robert from the 30's until Eliel's death in 1950. While working at the practice Eero also designed furniture for Knoll, thanks in part to his early friendship with Florence. Eero became the principal partner in 1950 until his death in 1961.
Eero died at the young age of 51, yet he is not forgotten. With a sparse 20 years (give or take) as a designer and architect, over 50 years later, Eero's designs remain modern yet classic. His work is still relevant, the womb chair and Tulip series, among others, are still in production. Eero Saarinen remains one of the most recognized figures in mid century modern design.